VEO title 


 

 

 

Librettists

(This page is still under construction)

A list of libretto sources for English operas from 1834 to 1870 can be found at Librettos

Arnold, Samuel J. (1774-1852)

Bunn, Alfred

Chorley, Henry F.

Coape, Henry Coe(1810-1890)
Henry Coe Coape was the son of a wealthy Maldon sugar refiner and property owner. He married into the aristocracy but his cruelty, adultery and desertion led to their eventual divorce.  His next marriage fared no better and also ended in divorce.  He had started to write in 1845 with his libretto for The Fairy Oak but it was with his bankruptcy and need to earn money that he applied himself in earnest, his best known works being The Ringwoods of Ringwood (1873) and What Will Society Say? (1880). More information on him can be found at http://www.churchside1.plus.com/Goldhanger-past/Coape.htm

Dibdin, Thomas John (1771-1841)

Fitzball, Edward (1792 - 1873)

Georges, Jules-Henri Vernoy de (1799-1875)

Kenney, James(1780-1849)
Kenney was born in Ireland and first made his name with his play, Raising the Wind, in 1803, after which he gave up his post in a bank for a full time literary career that he pursued for the rest of his life with varying success that was not helped by his highly nervous character. He wrote around fifty works including a number of comic operas, The Spirit of the Bell being the most ambitious. The Observer (May 3, 1835) wrote of him that "No man understands song writing, and writing for music, as Kenney".

Lemon, Mark (1809-1870)

Mackinlay, Thomas

Mitford, Mary Russell (1787 - 1855)
Mitford was a well known author and playwright, perhaps best known for Our Village. She appears to have tried her hand at only one libretto, that for Sadak and Kalasrade.  In 1852, she published an autobiography Recollections from a Literary Life (London: Richard Bentley).

Oxenford, John

Ryan, Desmond

Smith, John Frederick

Sturgis, Julian 

Soane, George (1789 - 1860)
George Soane was the younger son of Sir John Soane, founder of the Soane Museum, with whom he had a bitter and prolonged quarrel. He wrote several plays and texts for musical works but The Night Dancers is his only opera libretto.

Thackeray, Thomas James (1796-1877)  (also called Thackery and Thakeray)
Thackeray was a distant relative of the novelist William Makepeace Thackeray.  The Morning Post (August 26, 1834) refers to as ' a young barrister of some promise, and who, we are informed has done some pretty things in light poetry'. In fact, he had written several comedies and farces prior to the libretto both in English and in French. Drawing on his knowledge of French practice, he published a pamphlet On Theatrical Emancipation, and the Rights of Dramatic Authors (London: C. Chapple, 1832) in which he argued for a modernisation of the law, which in his and many authors' view was grossly unfair to them in denying them the proper reward for their work. Following the libretto, his literary work seems to have been mainly confined to France where he jointly authored several plays in the 1840's before switching to books in French on agricultural matters and a pamphlet on rifle marksmanship in English in the 1850's.

 



Any correspondence should be addressed to
victorianenglishopera@gmail.com





Valid XHTML 1.0 Strict